"Claqueurs" Example Sentences
1. The director hired some claqueurs to cheer for the actors during the performance.
2. The claqueurs were paid to give the illusion of a standing ovation.
3. The claqueurs were instructed to laugh at all the comedian's jokes, even if they weren't funny.
4. The use of claqueurs has been a controversial practice in theater for centuries.
5. The claqueurs' presence in the audience was obvious, as they were the only ones standing and applauding.
6. Some actors have been accused of hiring claqueurs to boost their own performances.
7. The claqueurs were trained to express excitement and enthusiasm at all times.
8. The use of claqueurs was eventually banned in most theaters due to the dishonesty it represented.
9. The claqueurs' frenzied applause was so loud that it drowned out the rest of the audience.
10. The claqueurs were required to blend in with the rest of the audience, so as not to be detected.
11. The practice of hiring claqueurs was particularly prevalent in 19th century France.
12. The claqueurs were instructed to give a rousing round of applause at the end of the play, no matter how it was received by the audience.
13. The claqueurs were skilled at creating an atmosphere of excitement and anticipation in the theater.
14. Some actors have been known to bribe claqueurs to ensure a positive response to their performances.
15. The use of claqueurs was seen as a way for mediocre performers to gain a positive reputation.
16. The claqueurs were required to remain in their seats until they were given the signal to begin applauding.
17. The claqueurs were often recruited from the lowest social classes, and paid very little for their services.
18. The claqueurs were banned from some theaters due to their disruptive behavior and lack of authenticity.
19. The claqueurs' cheers and applause were designed to encourage others in the audience to join in.
20. Some claqueurs were so skilled at their craft that they were able to work undetected for years.
21. The use of claqueurs declined in the early 20th century, as audiences became more discerning and skeptical.
22. The claqueurs' job was to create a sense of excitement and enthusiasm, regardless of the quality of the performance.
23. The use of claqueurs was seen as a way for unscrupulous performers to unfairly gain an advantage over their competition.
24. The claqueurs were often seen as a necessary evil, as they helped to create a lively atmosphere in the theater.
25. The claqueurs were paid to react positively to the performance, regardless of their personal feelings about it.
26. Some claqueurs were known for their ability to create a sense of authenticity in their reactions, even though they were being paid to do so.
27. The use of claqueurs has been compared to the use of steroids in sports.
28. The claqueurs' presence in the audience was sometimes considered a sign of desperation on the part of the performers.
29. The practice of hiring claqueurs was often seen as a symbol of the corruption and dishonesty that pervaded the theater world.
30. The claqueurs were seen as a necessary evil in an industry where success often depended on the perception of the audience.
Common Phases
1. The performance was greeted with applause; but it was rumored that the
claqueurs had been paid to applaud.
2. As the play started, the
claqueurs began their assigned tasks; clapping at every scene change and laughing at every joke.
3. The theater was notorious for employing
claqueurs; people who were paid to create an inflated sense of excitement and enjoyment among the audience.
4. Despite the presence of
claqueurs, many theater-goers were able to discern between genuine applause and the engineered kind; a skill that came with experience.
5. Some actors and actresses were said to have a personal team of
claqueurs; who would follow them from performance to performance and shower them with praise and adulation.
6. The use of
claqueurs was a common practice in the 18th and 19th centuries; and is still evident in some theaters today.
7. The
claqueurs would often stand in strategic positions throughout the theater; making sure their applause and laughter were heard by all.