Diptych example sentences

"Diptych" Example Sentences

1. The artist's work explores the duality of human existence through diptychs and triptychs.
2. The diptych depicts the dichotomy of life and death through rich symbolism.
3. The two paintings create a visual and thematic diptych through complementary colors and contrasting imagery.
4. The landscapes form a stylistic diptych that explores the seasonal changes of a place.
5. His self portraits at different ages form a psychological diptych of the artist's inner and outer journey.
6. The two paintings balance and comment on each other to create a complex and multi-layered diptych.
7. The diptych juxtaposes tranquility and turmoil to illustrate the dual nature of the human condition.
8. The pairing of sunlit and nocturnal scenes creates a diptych that captures the cycle of day and night.
9. The diptych uses symmetrically arranged images to mirror and magnify meaning.
10. The paintings mirror each other both visually and conceptually through their inclusion in a diptych.
11. The material and formal qualities of each panel combine to create a balanced yet asymmetric diptych.
12. The diptych explores universal themes of balance and harmony through unity and opposition.
13. He uses the form of the diptych to suggest a dualistic rather than binary view of reality.
14. The confronting images create an emotionally charged diptych that stay with the viewer.
15. The two paintings utilize the same subject matter depicted in opposing contexts to suggest an internal divide.
16. She favors the diptych form to dramatize the interplay between perfection and imperfection.
17. Each panel in the diptych provides a different perspective on the ever-evolving nature of human relationships.
18. The use of complementary colors across the diptych serves to heighten and mirror each panel's message.
19. The paintings become more than individual works when viewed as parts of a unified yet tension-filled diptych.
20. The conceptual diptych explores dualities such as innocence and experience, joy and sorrow, hope and resignation.
21. The diptych seeks to capture time's contradictory effects on the human body and spirit.
22. The artworks in the diptych gain complexity and depth through their juxtaposition and contrast.
23. Contemporary relevance imbues this historical diptych that balances introspection and action.
24. The diptych illustrates opposing aspects of nature's cyclical rhythms of growth and decay.
25. The diptych explores the progressive relationship between tradition and innovation.
26. The painter uses the diptych form to deliberately place contrasting compositions into dynamic dialogue.
27. The diptych succeeds at provoking thought through its coupling of disparate yet complementary narratives.
28. The diptych investigates conflicting human desires through dramatic chiaroscuro and exaggerated scale.
29. The narrative diptych explores the difficulties and joys inherent in family relationships.
30. The two landscapes are paired in the diptych to suggest the cyclical nature of growth and decline.
31. The painter's recurring use of the diptych form betrays her interest in duality and contradiction.
32. The work uses humor and irony to unite the halves of an epistemological diptych.
33. The diptych's complementary parts work together to create more meaning and resonance than either panel alone.
34. Themes of departure and arrival unite this travel diptych that brings out the feelings of estrangement and belonging.
35. The paintings diverge radically in style but converge beautifully as a companionable diptych.
36. The diptych succeeds in its aims through an elegant union of symmetry and harmony alongside paradox and tension.
37. When seen in tandem, the panels of the diptych reveal unexpected connections and layers of association.
38. The work's ambiguous narrative imbues the diptych with resonance that transcends its specific subject matter.
39. The paintings come alive when united as a diptych that probes the complex relationship between inside and outside, self and other.
40. The illusionistic diptych explores varying perceptions of reality through its contrasting aesthetic styles.
41. Each panel of the diptych provides a different but complementary view of an eternal human truth.
42. The artist embraces the tensions inherent in the diptych form in order to suggest a richer, more complex reality.
43. The self-portraits unite as a poignant psychological diptych that captures the artist's spiritual growth across four decades.
44. The painter uses lush color and light in his dream diptych to reflect dual aspects of imagination and memory.
45. The mingling of pain and pleasure in this emotional diptych creates a work that stays with viewers long after they leave the gallery.
46. The diptych prompts further reflection through the open-ended questions its paired images bring to mind.
47. They form an evocative artistic diptych that explores contrasting aspects of the human spirit.
48. The conceptual diptych touches on themes of internal division, transformation and reconciliation.
49. The fantastic diptych allegorizes the dialectic between reason and imagination through semi-abstract symbolism.
50. The narrative diptych uses contrasting brushwork and color palettes to suggest differences in recollection and perception.
51. The diptych structure imparts a sense of order in the midst of artistic ambiguity and conceptual contradiction.
52. The paintings record the passage from innocence to experience as part of an integral personal artistic diptych.
53. The diptych juxtaposes polarizing perspectives on temporality through form, composition and metaphor.
54. The diptych embodies the artist's fascination with duality and complex relationships between opposites.
55. The paired portraits form a psychological diptych that demonstrates the artist's interest in exploring human nature.
56. The loneliness conveyed in the diptych belies its basic message of human interconnectedness.
57. The diptych explores the interior and exterior landscapes that shape who we are through painted representations of light, shadow and form.
58. The contrasting scenes form a conceptual diptych that suggests the limitations of binary thinking.
59. The diptych serves as a visual metaphor for the dynamic interplay between opposing yet complementary forces in life.
60. Scenes of contrasting scale unite in this atmospheric diptych that investigates themes of transcendence and immanence.

Common Phases

1. The artist created a diptych painting of the garden in spring and summer.
2. The two panels of the iconographic diptych were closed together to represent unity.
3. The artist's diptych visually contrasted urban life with rural scenery.
4. The illuminated diptych manuscripts shared a common narration across the two leaves.
5. The vanitas diptych depicted images of life's impermanence and mortality.
6. The conversion diptych marked the transition from paganism to Christianity.
7. The votive diptychs were painted as acts of religious devotion and prayer.
8. The prince had an ivory diptych with his likeness on one panel and his wife's on the other.
9. The Renaissance diptych featured architectural settings and linear perspective.
10. The Annunciation diptych showed Mary on one panel and the angel Gabriel on the other.
11. The museum exhibit presented medieval altarpiece diptychs alongside contemporary art diptychs.
12. The leaves of the liturgical diptych were carved with litanies of saints.
13. The traveling exhibition showcased ancient Egyptian wooden diptychs containing lists of kings.
14. The painting's diptych structure divided it into sections representing the two stages of the journey.
15. The political diptych juxtaposed images depicting both sides of the conflict.
16. The commemorative marriage diptych celebrated the union in gilded panels.
17. The religious diptych motif symbolized duality and harmony within complexity.
18. The artist assembled a photographic diptych contrasting before and after images of natural disaster.
19. The artist created the installation in order to disrupt traditional hierarchies established within the diptych form.
20 The artist's diptych examined dualities of human experience like life/death, illusion/reality, and material/spiritual.
21. The offering diptych was intended to secure blessings for the donor.
22. The artist relies heavily on the diptych as a recurring structural and thematic device.
23. Diptychs enabled artists to provide expositions on contrasting themes or subjects.
24. Diptychs offered liminal spaces between two seemingly oppositional states.
25. The framed double portrait functions as a matrimonial diptych.
26. The iconographic diptych depicted healing saints on facing panels.
27. The Byzantine diptych commemorated a baptism or wedding.
28. The healer's funerary diptych requested prayers for his soul.
29. The ducal diptych honored the Duke and his family.
30. The consular diptych commemorated the bearer's term as Consul.
31. The gallery featured a series of photographic diptychs from various stages of the artist's career.
32. Each panel painting in the diptych dealt with a contrasting aspect of human experience.
33. Artists employed the diptych form to juxtapose different perspectives or possibilities.
34. The diptych structure provided the artist an opportunity to explore themes of duality and ambiguity.
35. The narrative diptych depicted two sequential scenes from a biblical story.
36. The artist used the diptych to explore themes of nostalgia and loss.
37. The diptych triptych contrasted past, present and future.
38. The artist created the memorial diptych to honor her late parents.
39. The exhibition featured a number of conversion diptychs depicting saints.
40. The artist's ivory diptychs depicted fantastical beasts and imaginary creatures.
41. The goddess was depicted on both panels of the votive diptych.
42.The archeologists dated the Egyptian wooden diptychs to the late period.
43. The ivory consular diptych celebrated the ruler's first year of office.
44. The illuminated manuscript contains an Annunciation diptych.
45. The archaeological site yielded several Coptic wooden diptychs.
46. The exhibition room displayed a 15th century Flemish diptych altarpiece.
47. The Byzantine artist created an imperial diptych depicting emperor and empress.
48. The marble diptych tomb honored a Roman senator and his wife.
49. The diptych format visualized the continuum between opposing forces.
50. The gallery features a series of photographic diptychs by contemporary artists.
51. The architectural diptych juxtaposed two distinct visions for the building's design.
52. The artist created the memorial diptych in honor of her late mother.
53. The altarpiece diptych depicted the Madonna and Child alongside saints.
54. The diptych embodied opposites in harmony.
55. The diptych structure functioned as a visual metaphor for duality.
56. The votive diptych requested blessings for the farmer's fields.
57. The carved ivory diptych contained portraits of the king and queen.
58. The architectural diptych contrasted historic and modern visions for the city.
59. The exhibition included several medieval wooden devotional diptychs.
60. The altarpiece diptych depicted donors kneeling before the Virgin Mary.