"Organum" Example Sentences
1. Organum refers to a medieval musical technique.
2. The organum technique involved using multiple voice parts in parallel motion.
3. Organum was developed during the early Middle Ages by Guido d'Arezzo.
4. The most common form of organum was parallel organum with two voice parts moving in perfect consonance.
5. Later forms of organum introduced more dissonance and independent melodic lines.
6. Guido's treatise "Micrologus" described the early organum technique.
7. The earliest organum used parallel perfect intervals like the perfect octave and perfect fifth.
8. Later the perfect fourth and major sixth intervals were also used in organum compositions.
9. Organum flourished during the 11th and 12th centuries at monasteries and churches.
10. The Notre Dame school developed intricate polyphonic forms of organum.
11 The organum technique was an important precursor to Later polyphony and harmony.
12. The earliest organum often accompanied liturgical chant melodies.
13. The term organum likely referred initially to the instrument rather than the technique.
14. Organum Nova was a more complex, dissonant form that developed later.
15. Parallel organum used consonant intervals like perfect fifths and octaves.
16. Medieval organum sometimes used the tritone or augmented fourth interval.
17. Discantus, or free organum, gave more independence to upper voice lines.
18. The musica enchiriadis treatise described early organum rules and practice.
19. Duplum organum had two voice parts moving in parallel motion.
20. Triplum organum evolved with three parallel lines.
21. Later organum incorporated more human emotion and word painting.
22. OrganumNova developed more intricate rhythmic structures and ornamentation.
23. Organists played the pipe organ, an instrument named for its "organum" technique.
24. Franco of Cologne expanded organum methods in the early 13th century.
25. Organum manuscripts from the 1200s still exist today.
26. Leonin and Perotin developed highly complex forms of organum in Paris.
27. Medieval music theorists wrote extensively about organum rules and styles.
28. The early years of organum were defined by strict diatonic parallel motion.
29. Leonin is credited with developing discantus organum in Paris.
30. Perotin's compositions push organum technique to its extreme limit.
31. Polyphony arose out of organum's parallel harmonic structures.
32. The melodic leaps of Organum Nova demanded a more sophisticated notation.
33. Ars antiqua composers experimented with counterpoint over organum basses.
34. Organum expanded the harmonic and rhythmic vocabulary of early chant melodies.
35. Leonin wrote dozens of organum compositions for the Paris Cathedral.
36. Perotin's organum works used multiple discantus parts over a fixed tenor.
37. Harmony and polyphony took the place of organum in later medieval music.
38. Organum vocalises were composed without words.
39. Organists played the king of instruments.
40. Early organum used slow, regular rhythms.
41. The Notre Dame school elevated organum to its highest artistic achievement.
42. Organum introduced a new sense of harmonic motion into medieval music.
43. Discantus organum constantly challenged and pushed the boundaries of organum conventions.
44. Organum declined in the 14th century.
45. Guido's introduction of staff notation aided the spread of organum throughout Europe.
46. Leonin's organa quadrupla used up to four independent discantus parts.
47. Perotin used 2 tenor voices as the basis for multiplum organum composition.
48. Organum methods helped musicians think in harmonic rather than just melodic terms.
49. Organa duplex used two voice parts above a fixed bass line.
50. Strict organum rules gave way to freer musical experimentation over time.
51. Pipe organs take their name in part from organum composition techniques.
52. Organum pedagogy focused primarily on tuning and parallel intervals initially.
53. Vox organalis refers to the upper parts in organum compositions.
54. Organum introduced harmony to Western music in its early stages of development.
55. Later organum incorporated nascent ideas of counterpoint and polyphony.
56. Organa tripla featured three moving voice parts above the tenor.
57. The development of discantus eventually spelled the end of strict parallel organum.
58. The Notre Dame composers transformed organum into a mature polyphonic art form.
59. Vox principalis refers to thechant melody that was accompanied through organum.
60. Perotin's organa triplex used three discantus parts above the tenor.
Common Phases
1. Parallel
organum referred to multiple voice parts moving in perfect consonance and parallel motion, typically using perfect intervals like octaves, fifths and fourths.
2. Discantus
organum involved more independence and counterpoint between the upper voice parts over a fixed tenor or bass line.
3.
Organum Nova represented a more elaborate form of
organum with more complex rhythm, dissonance and ornamentation.
4. Guido d'Arezzo is credited with originating the form of
organum in the early 11th century.
5. The Notre Dame school, exemplified by Leonin and Perotin, developed highly virtuosic and intricate forms of discantus
organum.
6.
Organum likely derives its name from the pipe organ, reflecting the instrument's role in accompanying
organum compositions.
7.
Organum served as an important precursor to later Western musical developments like polyphony, counterpoint, harmony and tonality.
8. Strict parallel
organum gave way over time to freer forms with more counterpoint and melodic independence between voice parts.
9. Medieval music theorists wrote extensively about
organum, detailing rules and guidelines for composers and performers.
10. Early
organum accompanied preexisting Gregorian chant melodies, with upper voice parts adding harmonic support and depth.