Wagner example sentences

"Wagner" Example Sentences

1. Wagner composed many famous operas during his lifetime.
2. The orchestral prelude to "Lohengrin" by Wagner is powerful and dramatic.
3. Wagner is considered one of the greatest opera composers of all time.
4. Wagner experimented with recurring musical themes in his operas.
5. Wagner transformed the form and style of opera with his music dramas.
6. The opera "Tristan und Isolde" by Wagner is known for its lush orchestration and chromatic harmonies.
7. Wagner's use of the leitmotif technique revolutionized opera.
8. "Die Walküre" is one of the operas within Wagner's epic Der Ring des Nibelungen cycle.
9. Wagner's operas typically feature larger-than-life heroes and heroines.
10. Parsifal is one of Wagner's final operas, with a mystical Christian theme.
11. Wagner converted his opera house in Bayreuth into a shrine for the performance of his works.
12. The young Wagner was heavily influenced by the music of Beethoven and Weber.
13. The Bayreuth Festival dedicated to the performance of Wagner's music continues to this day.
14. Siegfried's Funeral March from "Götterdämmerung" is a famous orchestral excerpt from Wagner's operas.
15. Wagner revolutionized the use of the orchestra in opera, demanding a larger and more versatile ensemble.
16. Many consider "Tristan und Isolde" Wagner's masterpiece.
17. Wagner drew inspiration for his operas from German and Norse mythology.
18. Wagner's music is known for its richness of harmony and orchestration.
19. Wagner is a towering figure in the history of opera and classical music in general.
20. Thematizing the concepts of love, betrayal, fate, and redemption, Wagner's music dramas explore profound human emotions.
21. Ride of the Valkyries is the most famous excerpt from Wagner's opera Die Walküre.
22. Wagner and his wife Cosima are buried in the gardens at Bayreuth.
23. Wagnerism, or devotion to Wagner's music and philosophy, developed into a minor cult in the late 19th century.
24. Wagner remained controversial throughout his life for his radical ideas as well as his anti-Semitic writings.
25. Nietzsche's break with Wagner marked a turning point in the philosopher's career.
26. King Ludwig II of Bavaria was Wagner's greatest patron.
27. Wagner transformed traditional operatic forms through the development of his concept of Gesamtkunstwerk, or "total work of art."
28. Cosima Wagner, the composer's wife and muse, kept detailed diaries that provide insight into Wagner's life and compositional process.
29. Bayreuth Festspielhaus, Wagner's opera house, hosted the premieres of his final three operas.
30. The interval of a tritone, known as the "Devil's Interval," features prominently in Wagner's music.
31. Wagnerian opera requires a huge orchestra, massive chorus, and larger-than-life singers to match the scale of his works.
32. Wotan, the chief god in Der Ring des Nibelungen, is one of Wagner's greatest creations.
33. Many leading conductors have specialized in performing and recording Wagner's music.
34. Wagner's reorchestrations of some of his earlier operas reshaped their dramatic impact.
35. The flying Dutchman, a cursed seafarer doomed to roam the oceans, is the hero of Wagner's first mature opera.
36. Wagner's revolutionary approach to opera transformed the very language of music drama.
37. The poetic allegory of Wagner's "The Artwork of the Future" foreshadowed the stylistic innovations found in his later operas.
38. Siegfried is the heroic protagonist of the operas Siegfried and Götterdämmerung.
39. The composer's ideas on the Gesamtkunstwerk continue to shape perspectives on the relationships between opera, music, literature, and theater.
40. Wagner is famous for his grandiose musical conception on an epic scale.
41. Brünnhilde, the chief heroine of Der Ring des Nibelungen, is arguably the greatest dramatic soprano role in opera.
42. The Wagner tuba was invented specifically for Wagner's later operas.
43. Mime and Alberich are two memorable villains from Wagner's operas.
44. "Wagnerian" now refers to anything excessively bombastic or overblown.
45. Lohengrin is a mystic knight who comes to the aid of a maiden in Wagner's eponymous opera.
46. There are few greater musical expressions of love and death than the love duet from Tristan und Isolde.
47. The leitmotif technique represents Wagner's singular contribution to the vocabulary of opera.
48. Musical and thematic elements recur constantly throughout Wagner's four-opera Der Ring des Nibelungen cycle.
49. Among Wagner's greatest creations are Wotan, Brünnhilde, Siegfried, the Valkyries, and Tristan.
50. Siegfried's horn call is one of the most famous motifs in all of opera.
51. "Wagnerites" form a devoted community of aficionados dedicated to studying and performing Wagner's music.
52. "Tristanesque" denotes a style characterized by the emotional and harmonic complexity found in Tristan und Isolde.
53. Der fliegende Holländer (The Flying Dutchman) explores the themes of redemption through love and the curse of eternal wandering.
54. The hero Siegfried slays the dragon Fafner in the opera of the same name.
55. Cosima Wagner's diaries chronicle the origins and creation of Parsifal.
56. King Mark, Isolde, and Tristan form a tragic love triangle in Wagner's opera.
57. Wotan's encounter with the Norns features some of Wagner's most mystical music.
58. Wagner considered Parsifal his most perfect work.
59. Tannhäuser explores the conflict between sacred and profane love.
60. The overture to Der fliegende Holländer is a staple of the orchestral repertoire.

Common Phases

1. Wagner's operas depicted grand mythical themes with rich orchestration.
2. The characters in Wagner's operas were often flawed heroes and complex heroines.
3. Wagner is considered one of the greatest opera composers of all time.
4. The Ring Cycle by Wagner is one of the most ambitious operatic projects ever undertaken.
5. Wagner's struggle to stage his operas mirrored the struggles of his characters.
6. Wagner revolutionized the use of recurring musical motifs associated with characters and themes.
7. The Ring Cycle's massive orchestration and four opera story arc required immense resources to stage.
8. "Tristan und Isolde" transformed opera with its use of dissonance and chromatic harmony.
9. The leitmotifs in Wagner's operas underscored the emotions and meaning behind the scenes.
10. Wagner championed the Gesamtkunstwerk or "total work of art" combining music, poetry, and stage design.
11. Wagner spent years in exile from Germany before eventually returning as a celebrated composer.
12. Wagner cultivated a sizable cult following that either adored or despised his grandiose musical dramas.
13. "The Flying Dutchman" introduced Wagner's evolving style of opera which incorporated mythology and mysticism.
14. Wagner fans prize his Amazonian female characters like Brunnhilde and Kundry.
15. "Die Walküre" is one of Wagner's best loved operas from The Ring Cycle.
16. Wagner enthusiasts routinely marathon multiple operas from The Ring Cycle in one day.
17. The sheer length and scale of Wagner's operas can pose challenges for performers and audiences.
18. Wagner's polemical essays about music, art and politics were as influential as his actual operatic works.
19. Wagner's anti-Semitism has caused debate over how to separate his music from his controversial views.
20. The revolutionary musical techniques pioneered by Wagner influenced generations of composers after him.
21. The town of Bayreuth was founded by Wagner to stage performances of his operas.
22. Wagner's granddaughter Eva popularized the annual Bayreuth Festival to showcase Wagner's music.
23. Wagner based his operatic characters on Norse and Germanic mythology as well as Arthurian legends.
24. Wagner came to see his musical dramas as conveying profound metaphysical and spiritual truths.
25. Siegfried's journey in The Ring Cycle exemplifies Wagner's idealization of the romantic hero.
26. Critics of Wagner decry what they see as psychological manipulation through his musical techniques.
27. Parodies of Wagner like those in "A Night at the Opera" by the Marx Brothers were popular for decades.
28. Many famous conductors and singers have arisen to interpret and perform Wagner's works.
29. Wagner sought patronage from kings and noblemen to fund the massive productions of his later operas.
30. Richard Strauss was heavily influenced in his early style by Wagner's harmonic language and orchestration.
31. The overtures to Wagner's operas have become orchestral showpieces performed on their own.
32. The marathon "Ring Cycle" performances require stamina from both singers and audience members.
33. Wagner pushed the limits of harmony, tonality, and orchestration in unprecedented ways.
34. The leitmotifs in Wagner's operas evolved throughout the music dramas to reflect character development.
35. Wagner's impact on music extends beyond opera to symphonic music and other genres.
36. Wagner's palatial residence at Wahnfried was a symbol of his grandiose ambition and social vision.
37. Critics argue over whether Wagner should ultimately be judged for his art or his problematic politics.
38. Interpretations and stagings of Wagner's operas have often adapted and updated the original works.
39. The most famous productions of Wagner's operas take place at the Bayreuth Festival every summer.
40. Wagner generated controversy as much for his writings as for his groundbreaking musical compositions.
41. Performances of Wagner's music have often been cited as evidence of Nazi cultural ambitions.
42. Hitler reportedly admired Wagner's operas and related them to his vision of a "master race."
43. Adolf Hitler attended the annual Bayreuth Festival and cultivated connections to Wagner's heirs.
44. Wagner used word painting extensively to convey rich textures and nuanced meaning through music.
45. Wagner fans argue over whether Tristan or The Ring Cycle represents his greatest work.
46. Modern stagings of Wagner often seek to interpret and reimagine the mythic stories for contemporary audiences.
47. Wagner's anti-Semitism has been interpreted as a reflection of broader 19th century European prejudices.
48. Debates persist over the merit of Wagner's operas relative to the controversies surrounding the composer.
49. Pop culture references to Wagner often satirize or poke fun at the grandiose sweep of his music dramas.
50. Recordings and films documenting famous performances of Wagner's operas have proliferated.
51. Themes of power, love, death and redemption permeate Wagner's mythic characters and storylines.
52. Wagner scholars examine his life and works to better understand his musical, cultural and political impact.
53. Wagner's ideal woman as portrayed in his operas has been criticized as confining and one-dimensional.
54. Wagner's operas reflect broader romantic artistic ambitions to craft "total works of art".
55. Wagner's works are often associated with the Zeitgeist or "spirit of the age" of 19th century Europe.
56. Interpretive disagreements abound over Wagner's intentions and the meanings behind his operatic works.
57. Conductors, singers, directors and set designers battle to find fresh interpretations of Wagner's well-known operas.
58. Analyses of Wagner's music dramas explore themes of heroism, power, love, death and redemption.
59. The music of Wagner's operas has inspired countless paintings, photographs and other creative works.
60. The influence of Wagner's music continues to pervade popular culture over a century after his death.